Tips for Creating Multisampled Instruments + Demo Bank Presets

edited November 2019 in Resources

Tips for creating multisampled instruments in BM3. Please add more tips & tricks below. Thanks.
1. Easiest method may be to analyze one of the melodic instruments in the stock BM3 library.
2. Key-Mapping: 'Root-Key' (aka key center or key index) is the sample's root pitch.
3. Key-Mapping: 'Key-Range' is the Lowest-key and the Highest-key that the sample should play.
4. An economical & popular method for sampling a keyboard or synth is to sample 2, 3, or 4 keys in each octave: (2 keys: C, F#), (3 keys: C, E, G#) or (4 keys: C, D#4, F#4, A). Notice how there are identically numbered 'note gaps' between each sampled key for each of the 3 examples. Later when mapping the samples, set the key-range of each sample to fill up the gaps. A good practice is to set the key-range to go more to left than to the right of the root-key (i.e.-when necessary, go lower in pitch versus vs going higher since it usually sounds better when going lower. Samples play faster and may finish too quickly if the High-key is too high.)
5. It's a balancing act: recording each key/fret would be ideal, but the work involved in mapping all of those samples is very time-consuming, and more samples takes up more system resources, like RAM, disk space, & CPU. All of which the iPad is way behind when compared to a computer. Luckily BM3 has Disk Streaming, which significantly lowers RAM/memory usage, since the iPad has a fast flash-based drive (like an SSD), but also has limited RAM/memory.
6. Sometimes a samplepack will have a key-definition file (i.e. - *.sfz file) which you may be able to open in a text editor. This can be helpful for setting the sampler and synthesis parameters. (Also *.nki files can be opened in Kontakt Player for checking the Mapping Editor; plus *.exs files can be opened in Logic’s EXS24 sampler or possibly in Garageband on Mac OS.)
7. Sometimes samples with be 'Key-Labeled', meaning that they will have the root-key in the file name (i.e. - "Piano C3.wav"). Or possibly it may be in the MIDI Note Number format (i.e. - "Piano 060.wav"). Below is a convertor for MIDI Note Number to Key.

8. Multiple Layers: Under Construction. This adds to the realism and complexity of the instrument. It's also useful for sorting samples that are too loud or quiet, or have a different timbre. Layer string samples with piano samples for the classic Piano+Legato Strings patches. Or layer different drum samples for maximum impact. Or for sound effects, soundscapes, pads, etc.
9. Sample Looping: Under Construction. This is probably the most time-consuming and frustrating process. This is used so that the sample sustains while using an ADSR envelope. If you hold a key down for a long time, the samples sustains or continues to play inside the loop. MONO samples are significantly easier to loop than STEREO samples! That's because with STEREO, there are two waveforms - a left & a right, and those waveforms are almost never identical! It's easy to get clicks & pops were the loop starts and ends (aka 'Loop-points'). Use 'Zero Snap' to find where the waveform crosses 0 (basically silence) to help with setting loop start & loop end points. BM3 has 'Crossfade looping', which helps immensely if you still get clicks & pops at the loop-points, but you will need to turn off Disk Streaming to use this feature. Crossfade looping is sometimes the only option for stereo samples.
10. Modulations: Under Construction. BM3 has an impressive modulation section, and this can help liven-up a sound, making it more complex and interesting. Put a slow tempo-synced LFO on the filter cutoff, for example. Set a MIDI CC to modulate the Amp Envelope's Decay Time on Snares & Hi Hats. Use small amounts of Random, S&H. or the Step Modulator to modulate the pitch, etc. The Step Modulator can run in FREE Mode or PITCH (Chromatic) Mode. The LFOs can reset at note-start (Mode=MONO) or free-running (Mode=POLY). Plus most modulation sources can be synced to the tempo of your Session. And a modulation destination can have multiple sources.
5pinlink's Tip: ...using velocity to change attack and filter, it saves a ton of extra velocity layers, the piano gets softer the lower the velocity and brighter and harder the higher velocity.

Here are a few demo Bank Presets to learn from, improve, & re-share.
These are zipped *.bmk3 Bank Presets with 16bit 44.1kHz WAV samples.
Baroque Lute Japan Scale
Mellotron Strings
Organ Light FX BoC
Yamaha CS5 Acid
Under Construction

My Banks are FREE but they are not 'Pro'. For Pro sounds go here:
Or from within the app - tap the Cart icon to open the Sound Store.

My Drumkits & Loops are here:

Feel free to improve these demo Bank Presets and re-share them. No limits on usage or distribution.


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