Demonstration of my 'Harmonic Algorithm' Theory Concept, Applied to Banks of Overtones I've Sampled!
I put together an example this morning of applying the theory behind my 'Harmonic Algorithm' concept to the sample banks I've been working on of the overtones from my instruments, to weave complex textures through interesting chord progressions & harmonic modulations using only these natural 'open' overtones:
That's the overtones of my electric bass (arranged in way that's performable live) with the overtones of my double bass (which'd take two passes through to layer the two counterpoint lines). Also got a bit of 'shamanic' percussion that I added and a low texture that I programmed in Lorentz comes in for a few bars.
It's not mastered so crank it up!
Please let me know your thoughts. It's a small demo but a big concept which I've been working on for a long time!
Oscar
Comments
Awesome stuff
Here's a boosted version:
http://oscarsouthbass.bandcamp.com/track/1mm-psithurism
Beautiful.
Nice!! Can you explain in depth whats that Harmonic algo theory???